“The Peaky Blinders,”Seasons 1-5
This BBC/Netflix series is one odd duck – edgy, violent, politically involved and quite hostile
to the British secret service. Pounding
British rock and folk music is used in each episode – even Black
Sabbath doing ‘War Pigs.' At its center
is a charismatic Birmingham gangster and Romani gypsy Tommy
Shelby and his family – Polly, Arthur, Ada, John, Finn, Michael, along with their
wives and husbands. There was a real
gang in Birmingham
called the Peaky Blinders – named because their hats came to a peak over one
eye. But the real Peakys were penny-ante
criminals in the 1880s, not these hardened and brilliant murderers of the
1920s.
Here they come, walkin' down the street... |
The reason
is nearly every man in the series survived World War I in one way or another,
so they know military skills, guns, bombs, tunnel-digging and the like. Grenades and machine guns are no
stranger to them, nor is digging bullets out of flesh. They have a class hatred
for those officers who did not fill the trenches and sat in the back lines, and
solidarity among themselves because of the war.
The Peaky
Blinders go from gambling and fixing races at horse tracks to running gin and
whiskey even to the U.S.,
then on to owning factories and producing vehicles for the English military,
trying to launder their gains into legitimate businesses. Tommy gets himself elected to the House of
Commons as a Labour Party member, even while trying to smuggle opium to the U.S. Born on a canal boat, Shelby ends up in a massive manor house in
the country. Everyone else in the family
gets a big house too, though they still go back to the gypsy caravan at times. In the process the thug Tommy Shelby becomes
an agent of the British crown working for Winston Churchill. He informs on
the Birmingham Communist Party, though he has a close relationship with some of its members, including his own sister. He also informs on the IRA and lastly on the British fascist
leader Oswald Mosley, an aristocrat and founder of British fascism.
In a sense,
this is similar to the series “Deadwood,”
which shows the progression from crime to capitalist success – primitive
accumulation even in the 1920s. The
effect of the October 29, 1929 market crash on the Shelby’s wealth is severe, which shows to
what extent they were integrated into the larger capitalist economy.
Oswald Mosley - British Fascist doing his best Hitler |
The series
involves conflicts and compromises with a Jewish gang in London; a war against
an Italian gang in London and later, the U.S. Mafia; against pro-fascist Ulster
Protestant gangsters from Scotland; against local rivals. These bloody conflicts lead the Shelbys to
suffer bouts of depression, PTSD, drinking, rifts, anger and deaths. Almost every scene involves a glass of Irish
or Scotch whiskey and later, cocaine and laudanum. The
British secret services (Section D – and the Economic League) blackmail Tommy
into killing for them. The latter protect Mosley from the gang’s attempts to assassinate
him, as Section D sympathizes with the fascists. A deal with some arrogant White Czarists to
smuggle military tanks out of England
for the Russian civil war has the finger prints of British intelligence over
it. It almost gets Tommy killed, per
usual.
Tommy
believes in nothing but making money, but he also has a soft spot for the Birmingham
working-class. He funds two orphanages,
eventually gives equal raises to his male and female workers and ‘allows’ the Shelby
women to play a large role in Shelby Co. Ltd’s deliberations, especially Polly,
the ‘gypsy queen.’ One of the local
Communists marries his sister Ada
and he ends up trying to protect him. There
are certain current references – an obnoxious priest who is a
pedophile; Mosley’s platform is stated as ‘Britain First!’ much like Brexit; a
solidarity for the British working class, gypsies and Jews against prejudice. The British General Strike of 1926 is
portrayed evenhandedly.
The head of
a Jewish gang in Camden
Town, Alfie Solomons, speaks
in a thick cockney accent and rakes anyone over the coals hostile to Jews. He’s hilarious. “Littlefinger” Lord Baelish from GoT shows up as a
killer for the Shelby’s and prospective husband to Polly. Adrien Brody appears as the sinister leader of a Mafia
hit squad and Sam Neill as an ominous Ulster-based intelligence detective.
“Peaky Blinders” is another glorification
of the anti-hero typical of modern gangster films. Tommy is handsome and well-dressed, appearing
in the same dandified golfer’s cap, 3-piece suit and watch fob in nearly every
scene, as do the rest of the Peakys. He
sleeps with every woman he wants. He is also thoughtful and sometimes kind, but
bosses everyone around constantly.
Violence is his métier for ‘making people listen’ - which he has to do
frequently.
The
glorification of human and clever gangsters is an on-going theme in many capitalist
films and television shows. In fact this theme is so overwhelming as to be deeply significant.
The handgun pointed at someone’s head (frequent in this series) seems to
be the star prop of our degraded capitalist culture. This bloody fascination breaches normal
money-grubbing. It appears as the dark
side of the same ‘legitimate’ economy that the rich dominate every day – its
shadow, its almost literal doppelganger – hinting that crime and capital are inextricably
combined. The difference is the obvious
violence, a violence hidden under normal capitalist functioning but always
there beneath the surface. Churchill’s embrace
of the Shelbys cements
this link.
As Al Capone said: "This American system of ours, call it Americanism, call it capitalism, call it what you will, gives each and every one of us a great opportunity if we seize it with both hands and make the most of it."
As Al Capone said: "This American system of ours, call it Americanism, call it capitalism, call it what you will, gives each and every one of us a great opportunity if we seize it with both hands and make the most of it."
But it is
more than that. It advertises a route
out of the under-class for the poor and downtrodden to essentially rise in
class status - even if you have to use violence. Criminals sometimes dress well to announce
their higher role, as the Peaky’s do. In the old days, both gangsters and businessmen wore suits, which is telling. When the criminals side with the majority, as in
marijuana or booze provision, they become heroes. Even robbing predatory banks or casinos seems heroic, as
everyone with their head on straight hates banks and knows casinos are a con. (See 2016’s “Come Hell or Highwater” about robbing modern Texas banks.) Thuggery and crime are glamorized to the
indigent, to immigrants, to the outcast in place of social revolution. This glorification of crime is in
essence a social and material diversion for a part of the working class.
“At the base of every great fortune is a great crime”
seems to be the link, a saying first suggested by Honore Balzac from “Le Pere Goriot” in 1834 but later reported
on at a London dinner
in 1912. This was followed by many similar quotes afterwards, including in “The Godfather” and in C. Wright Mills’ “The Power
Elite.” Of course Marx also
understood this idea, as his theory of ‘primitive accumulation’ makes clear. Balzac’s exact translation was: “The secret of great fortunes without
apparent cause is a crime forgotten, for it was properly done.” Which
is exactly how the Shelby
family function.
Other
reviews of streaming series below, use blog search box upper left: “Game
of Thrones,” “Deadwood,” “The Golden Age,” “Treme,” “Fargo,” “Damnation,” “Bad
Cops,” “Mayans,” “Rebellion,” “Handmaid’s Tale,” “Comrade Detective.”
The Kulture
Kommissar
November 29,
2019