"Fashionable
Nonsense – Post-modern Intellectuals’ Abuse of Science,” by Alan Sokal and Jean
Bricmont, 1998
This book originated as a hoax article
published in the American academic journal ‘Social-Text' in 1996 from Duke University
in the U.S. It was a parody of the normal writers in that
journal, yet the editors did not notice.
As Sokal/Bricmont point out, the adulation of these mostly French
writers has become an intellectual ‘force’ in American and British academics as
well. Many reputable intellectuals are
cited as endorsing the wonders of post-modernism in its various forms –
Althusser, Barthes, Foucault, Debray, Havel -
while others like Stanley Aronowitz are part of the post-modernist method. The parody itself is included and even for a
‘dim’ reader such as myself it provided guffaws. Of particular humor is the massive amount of
quotes, sub-quotes, parenthetical points, false or non-connections and useless references that clutter
the document, visually creating an image of ‘knowledge’ but actually portraying
little except name-dropping.
The authors are professional physicists who
analyze flawed humanities’ writers’ attempts at intersecting with
science and its methods. They describe how the humanities' writers don't get the science or math right. Sokol, in the
epilogue, says he is also an ‘old school leftist,’ so there is more going on
here than scientific rigor. At bottom it becomes a philosophical debate.
The book is a take-down of some post-modern,
post-structuralist, deconstructionist and semiotic ‘intellectual-speak’ – but
it is not a must-read. It is a book for
specialists – and yet it is an intentionally hilarious book too. It is a slog getting through dense gibberish to get to
somewhat more sane mathematical and scientific explanations and footnotes of
why these pompous writers are wrong.
Which means skipping over the crap you don’t understand to the points
you do. I figured in high school that getting
basic geometry and algebra was all I would need for a lifetime. That has proved the correct decision – except
when you have to read material like this.
However the authors know this and do their best to be clear.
Just as certain statements by alleged
geniuses like Stephen Hawking read like science fiction, and have no factual
basis as yet – so some of the key texts of these ‘philosophies’ actually don’t
make sense if looked at carefully. As
they put it, many of the writers exhibit ‘a self-assurance that far outstrips
their scientific competence.’ What the
authors really attack is a sort of radical skepticism or cognitive relativism that questions the existence of objective reality. Extreme post-modernism
can philosophically be called ‘idealism’ – where facts disappear and only 'the observers' verbiage
and ideas remain. It is an academic form
of mysticism. This book is part of the
struggle against a fake ‘leftish’ idealism in science and sociology, history
and feminism. In their epilogue, Sokol/Bricmont
state that they want to help the Left by combating alleged progressive nonsense
disguised as profundities.
The first target is Lacan – Zizek’s
favorite inspiration. As they put it,
Lacanian psycho-analysis “is too vague to be tested empirically." If you have wondered why Zizek goes from
writing rationally about politics or culture to veering into some hellish
underworld of post-Freudian double-speak and bogus associations – Lacan is the
answer. In Lacan’s sacred word-salad, erect
penises pop up in the middle of mathematical equations, with no connection
between them except proximity Here is that choice Lacan quote:
“Thus the erectile organ comes to symbolize
the place of jouissance, not in itself, or even in the form of an image, but as
a part lacking in the desired image:
that is why it is equivalent to the √-1 of the signification produced
above, of the jouissance that it restores by the coefficient of its statement
to the function of lack of signifier (-1).”
The authors remark that this is more like
Woody Allen then Freud. ‘Psychology’ by
way of fractured math.
Another target is Julia Kristeva, who
attempts to mathematize linguistics and political philosophy, among other
things. A random quote – “The desire to
form the set of all finite sets puts the infinite on stage, and reciprocally,
Marx, who noticed the illusion of the State to be the set of all sets, saw in
the social unit as represented by the bourgeois Republic a collection that
nevertheless constitutes for itself, a set (just as the collection of the
finite ordinals is a set if one poses it as such) from which something is
lacking: indeed, its existence or if one
wants, its power is dependent on the existence of the infinite that no other
set can contain.”
This is one reason why some interpreters of
Marxism have not been a total success.
Sokol/Tricmont take on unfamiliar (to me) people like ‘anything goes’ Feyeraband,
Latour, the feminist Irigaray, Lyotard, Baudrillard, Deleuze, Guattari, Virilio
and even the editor of ‘Social Text.’
Based on some of these readings, it seems petit-bourgeois feminism has
found a weapon against class analysis in post-modernism, as have other narrow approaches. Irigaray thinks
because most mathematics has been done by men (as have other sciences) the
scientific method itself is ‘masculine’ and hence flawed. Irigaray rejects the ‘belief in a truth
independent of the subject’ or observer.
She advises women not to: “accept to or subscribe to the existence of a
neutral, universal science, to which women should painfully gain access and
with which they then torture themselves and taunt other women, transforming
science into a new super-ego.”
This is a rejection of empiricism and
fact-finding. I won’t go on more, but
you get the idea.
In their epilogue, the authors account for
the rise of post-modernism and subjectivism among certain ‘progressive’
academics to the weakening of Marxism after WWII, as well as the fall of other
enlightenment attitudes. The authors themselves
were called ‘culturally conservative Marxists’ at an academic conference in California held by
post-modernists. However the authors then spend
a page or so attacking some Marxists for practicing ‘scientism’ too – which is
no doubt correct at times. Yet in the process they
accuse historical materialism itself of not being scientific, which is not quite the same thing. They say this without
evidence – not very empirical, but certainly fashionable. 'Sub-textually' they are red-bashing to win sympathy from their adversaries. This is a liberal habit you might have noticed. This in spite of the continual historic and
economic facts that Marxists nearly always employ when talking about historical
materialism - the farthest thing from idealism.
If you are interested in the topic of
post-modernism, this book fills a gap. I
read it so you don’t have to – or perhaps you do.
Reviews of Zizek books below: “Living in the End Times,” “Did
Somebody Say Totalitarianism?” and “First as Tragedy, Then as Farce.” Mentions of post-modernism regarding art below
– “9.5 Thesis” and “Art is Dead.” Mentions of idealism in science
below – “Reason in Revolt,” “Big Bang Theory” and “Ten
Assumptions of Science.” Use blog
search box, upper left.
I bought it at Mayday Books!
Red Frog
November 28, 2014