“Crossing – A Love Story” by Anna Seghers, 1971
This short novel was written by the top female writer in
the German Democratic Republic (GDR), who became famous during the Weimar
period as a youth. Seghers was a
long-time member of the Communist Party / Socialist Unity Party but resisted their command to write
socialist realist prose. She favored
modernist methods instead, considering them to be as worthy as socialist
realism.
I’m not sure from this sample if this is an improvement. There is little modernism here except the
story within the story. This straight-forward
novel is like a hundred other novels about unrequited love – not that I have
read those books. It seems entirely conventional, and could be a love story on
the NYT best-seller lists. I would have
preferred more social content.
It is a man's life-story told to a fellow passenger on a Polish
ship crossing the Atlantic from Salvador in Bahia, Brazil to Brunsbüttel, Germany
in the 1950s. A doctor, Ernest,
buttonholes an engineer, Franz on deck and begins to describe his long love
affair with a young girl he met in Rio, Maria, that continues to haunt him up
to the day he came onboard. Like Franz,
we the reader are trapped in the telling as the ship glides by prison islands, dolphins
and flying fish, crosses the equator and transits under the stars of the Southern
Cross and then Ursa Minor.
Franz is a listener, much like the reader is forced to be a
listener. At first, Franz wonders why Ernest is telling him this intimate
story, but gradually, like the reader, he wants to find out what the hell
happened. It is an 18 day voyage after
all. The book is shorter than that
thankfully.
Segher’s herself was in exile from Europe during the Nazi
period in Germany, living in Latin America and Mexico. She crossed the Atlantic via ship 3 times,
twice to Brazil, so the story comes out of those experiences. The exoticism of
Brazil is apparent to any European reader – its foods, climate, religions and
people - which is why Europeans might have read this book, and not just for the
love story. The side trip to Bahia and
its African-American population is more exoticism. Yet this is not B. Traven. There is no class struggle, just pity for the
poor. Seghers was mentioned in the film 'Goodbye Lenin' in a nostalgic way, so she's not an unknown quantity.
The plot, to be short, is that Ernest met Maria as a young
boy in Rio, they grew close, he returned to Germany after the war to study and
get money for her to follow, and he waited too long. Maria finally got married, either committed
suicide or died in an accident, or did not die but faked her own death. It’s a mystery and Ernest could never figure
out which story was true. The upshot was his love was never realized due to his
slowness and abandonment of Maria. After
Franz hears the end of the story, he tells Ernest to forget this damaging
life-long obsession and go on and find another woman. Life is short, yes?
The background to the tale is World War II, the liquidation
of the Jews, the formation of the GDR by socialists and anti-fascists and so
on, but only as historic ‘color’ in the background. The central drama is an
individual’s unrequited love, or actually two people’s failed romance. This
is a standard plot in the U.S. It is a
somewhat sad story that will leave little impact except to remind you that
love, like everything else, is not forever, and timing is key. Go for it or make
up your mind not too, but do not pine like Ernest … unless, like him, you can’t
stop.
Prior blogspot reviews on this subject, use blog search
box, upper left, to investigate our 19 year archive, using these terms: “GDR,”
“Brazil,” “Socialist Realism” or
‘love.’
And I got it at May Day’s excellent used and cutout section,
which has fiction!
Kultur Kommissar / March 5, 2025 - Happy International Working Women's Day!
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