Tuesday, October 26, 2021

Know-Nothings and Know-It-Alls

“After the Fact? The Truth About Fake News,” by Marcus Gilroy-Ware, 2020

Not sure what to say about this book.  Filled with somewhat common insights, it’s best on conspiracy theories.  Gilroy-Ware seems to be a leftist of some sort, exposing the various myths around journalism, the internet and the bi-partisan nature of a shallow understanding, centering on misinformation and disinformation as a regular part of capitalism.  We live in a disinformation society, so the concept of ‘fake news’ is not an aberration – except in how the phrase is now used as a way to ignore accurate reporting.

Gilroy-Ware’s focus is on events like Brexit, the Trump election, global warming, the Iraq war and various corporate disinformation campaigns – tobacco, oil, plastics, pollution, pesticides, insider trading, etc. His key insight is that in a “market-driven society” the truth becomes elusive.  The existence of omnipresent, slick advertising in a capitalist society should tip one off that the sales effort is all around us – and it includes news, politics and economics.  Even the Mount Perlin society would be astounded at how commercialized everything has become, in our shiny, “exciting capitalist lifestyle.”

The author won’t touch the Vietnam War and Kennedy and MLK assassinations as real conspiracies.  These started to broadly unwind the post-WW2 consensus about what was true in the U.S.  Mark Fisher’s "capitalist realism" became further unglued in the 2008 financial collapse and the Iraq War, which again revealed the hollow heart of bourgeois social reality.  Brexit, the environmental crisis, the rise of China and Trump’s election accelerated the whole process.  So, here are some points made by Gilroy-Ware:

1.            He argues against technology being the decisive element in society or social progress or regression.

2.           Software like Twitter, Facebook, Instagram, Google, You Tube are all monetized for advertisers and data-firms.  Money is made, no matter how accurate anything on the platforms is.

3.           Mis and disinformation have always been a part of politics, so the idea that software platforms created this diversion from the ‘center’ is untrue.  "Echo chambers" and "filter bubbles" have always existed.  Social media may have accelerated it due to its ability to link so many people.  From my perspective, much of the distress is coming from the ‘reasonable' centrists who see their control over the narrative coming apart.  As was said by Yeats in 1919, “The center cannot hold.”

4.           In a fake democracy like the U.S., fake news is no deviant brand.

5.           “Hoaxes, propaganda, myth, conspiracy theory, deceptive liberalism, complacent, crappy journalism and digital platforms” all exploit this democracy with magical thinking according to Gilroy-Ware.

6.           Government and corporations are almost twins.

7.           “The free exchange of ideas,” the “free marketplace of ideas” and the "public sphere" are examples of simplistic utopianism, as no such thing actually exists or has ever existed.

8.           The dominant ideas of any society are the ideas of its ruling class, an idea cribbed from Marx.  Fakeness is promoted to hide actual social relations.

9.           Literacy, including numerical literacy, in the U.S. or the U.K. – the ability to read, to understand what you read, as well as the ability to decipher fraud or untruths or bad math – is very weak.  Long texts are rejected as too difficult.  Education and knowledge is for commercial usefulness, not social usefulness.

10.           Gilroy-Ware cites the Dunning-Kruger effect as to people assuming they know more than they do.  Anyone who has watched Jay Leno or You Tube interviews of the ‘man on the street’ know what I’m talking about.

11.           Emotions and feelings, hedonia and pleasure, are valued over actual understanding or other forms of intelligence.

12.           The ruling class in both parties hides their power and wealth behind culture war histrionics, obscuring what class really is.

13.           In his best chapter, Gilroy-Ware understands there are real conspiracies, as well as conspiracy theories that have little to no basis.  The signs of a conspiracy theory, no matter who is spouting it, are:  A. Suspicion first, facts last. B. Nothing happens by accident. C. Nothing is as it seems.  D.  Everything is a hoax or ‘false flag.’  E. Selective empiricism. I.E. one fact, many flaws.

14.           His collection of rootless conspiracy theories:  Flat earth; 5G hysteria; chemtrails; climate change opposition; staged school shootings; Qanon; the granddaddy of them all, the Protocols of Zion; China-created Covid 19; extraterrestrials living among us; new age medicine quackery; anti-vaccine theories; 9/11 as a controlled explosion; holocaust denial, the staged moon landing, UFOs, etc. He does not include some Democratic Party conspiracy theories like Russia-Gate, pee-tapes, the Syria gas attack.  He gives Russia-gate less than a page, referencing Cambridge Analytica much more.  As another example, right now in Minneapolis the centrist Democrats are running ads that straight-out lie about a ballot question they claim will 'get rid of police.'  It doesn't.    

15.           Even some leftists have conspiracy theories, as if the ruling class has total control over everything, no one else has agency and the bosses don’t take advantage of events.  This vastly overestimates ruling-class power.

16.           He accounts for beliefs in conspiracy theories as a reflection of alienation, a “politics of suspicion” and a sad attempt at knowledge agency. 

     17.   Journalistic objectivity has always been a fantasy, like the Tooth Fairy, Santa Claus or ... God.

     18.   Liberalism is based on a shallow positivist political belief in order, meritocracy and ‘reason’ that prop up the status quo and oppose inconvenience.  Gilroy-Ware cites MLK’s point that his white liberal ‘allies’ were actual opponents of the black freedom struggle through their commitment to order, resulting in "do-nothingism." He calls their approach "shallow understanding."                                       

     19.               Steven Pinker is a hyper-empiricist taking small facts, while ignoring context, to make an overly-large point.

     20.              Journalism is not neutrality, a debate, giving credence to both sides or opinions.   It is supposed to accurately reflect reality as much as possible.  In most countries it is a for-profit business.  He goes into many examples of how most established papers, websites and journals, including the liberal Guardian, lean to the right.  The Guardian’s obsession with Corbyn’s ‘anti-Semitism’ is one example.  The BBC comes in for particular ire, not for their public television entertainment pablum but their political slant.  For instance it stopped portraying climate change as an ‘opinion’ only in 2018.

    21.               Clicks and impressions drive digital advertising, a $330B business in 2019 based on software like AdSense, DoubleClick and others, while far-right websites like Alex Jones sell health product quackery.  The internet is based on affective and emotional links, so ‘sensations’ can be monetized far easier than anything else.  Which is why Facebook, Amazon, Alphabet, Netflix and Google (FAANG) sector profits are so high.

    22.               Gilroy-Ware suggests public ownership of the FAANG sector, but then does not pursue that.    

     This list is only a reflection of the general text and can’t encompass everything.  Buy the book and see! 

P.S. - Thom Hartmann's article on Q-Anon's theo-fascist conspiracy status:  https://www.alternet.org/2021/11/qanon-doomsday-cult/

 Prior blog reviews on this subject, use blog search box, upper left, to investigate our 14 year archive using these terms:  “When Journalism Was a Thing,” “The Paper / Novine,” “The Post,” “No Longer Newsworthy,” “Manufacturing Consent,” “Doublespeak,” “Empire of Illusion” (Hedges); “American Exceptionalism” (Haiphong); “Propaganda” (Bernays); “Turning Off NPR,” “Advertising Shits in Your Head,” “Keywords,” “All Art is Propaganda” (Orwell); “Four Arguments for the Elimination of Television.”

And I bought it at May Day Books!

Red Frog

October 26, 2021

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