“Meridian,” by Alice Walker, 1976
Alice Walker grew up near the
smallish middle Georgia town of Eatonton with her sharecropper parents, then
went to college on a scholarship at Atlanta’s Spelman College. She had some personal troubles there, then became
a feminist, (or what she called a ‘womanist’ – a feminist of color) civil
rights and political activist. Her life
and Meridian’s
life seem a bit intertwined.
Personal Civil Rights Fiction |
Meridian is an African American girl
who lives a confused rural life before discovering the 1960s Civil Rights
movement in her small town, as it tries to sign up people to vote. She then gets a scholarship to go to Atlanta’s Saxon
College and continues
working in the Civil Rights movement in her own way. During the book she has a child that she abandons,
is sexually molested by a series of older men, is beaten by police and thrown
in jail for demonstrations, has an abortion in college, thinks of suicide and
starts to go a bit crazy. No wonder.
Meridian only feels safe in the coil
of an Indian burial mound on her father’s lost farm, or under the massive old
‘Sojourner’ tree at Saxon, which is later destroyed. Both connect her to the native American past
and the slavery past. She ends up weirdly
oblivious to danger – assaults, cops, guns, cars. As she gets older, she sometimes stiffens and
collapses in the street. She returns to
a small rural community and lives in a bare-bones little house with help from
the local African-American community. There
Meridian continues to help people register to vote, tries to integrate the
swimming pool, opposes the intentional and deadly flooding of a poor African
American neighborhood and stands up for the darker kids in town.
On a personal level, the book is a constant
triangle – Meridian
herself, a light-skinned African American man named Truman and his blonde Jewish
wife, Lynne. On a political level, Meridian believes that
the rich white people have to be eliminated.
Some of the students at Saxon, like her, read Marx and like
socialism. She does not believe in
martyrdom and she is generally an atheist.
The book deals with several
themes. Do you have to be willing to
kill someone to be a ‘revolutionary?’ The sad attraction some darker skinned men have for light-colored blondes, and visa versa. Guilty
light-skinned women. Killing
babies. The beneficial changes in
African-American religion wrought by Martin Luther King. The beginnings of ‘black nationalism.’ The enduring power of dark-skinned mothers. How to get cynical, non-political people to
vote.
This book has no essential
plot. It wanders from thing to thing,
poetically taking in life in Georgia and a bit of New York. Much of it is inside the heads of the
characters or conflicts between them, dealing with their lives on a personal
level. This book is not my mug of coffee, but it
might be your cup of tea. It seems to be
a disjointed rumination on various ideas and experiences Walker had between 1968 and 1976.
Walker’s best novel, “The Color Purple,” was published in
1982. Her first novel published in 1970,
‘The Third Life of Grace Copeland,’
was about violence within the African-American community in the South, based on
a true event in Eatonville. The second to the last
novel dealt with more personal Southern stories (‘The Temple
of My Familiar’), similar
to the stories of Zora Neale Thurston, a writer she identified with. The last book involved female genital
mutilation in Africa (‘Possessing the Secret of Joy’). In 1983 she developed the term 'colorism' to describe the prejudice against dark skin tones even in the African American community. 'Colorism' is world-wide, of course.
Examined together, all of her novels are not afraid to deal with problems among the African American community, not just the strengths. The books do not put everything on the dominant racist system. Or as I put it: ‘Oppression oppresses.’ Alice Walker knows this.
Examined together, all of her novels are not afraid to deal with problems among the African American community, not just the strengths. The books do not put everything on the dominant racist system. Or as I put it: ‘Oppression oppresses.’ Alice Walker knows this.
Other reviews on this theme,
below. Use blog search box, upper
left: “The Souls of Black Folk,” “Things of Dry Hours,” “A Time to Kill,” “Go
Tell It on the Mountain,” “Atheist in the Attic.”
And I bought it at Normal Books,
Athens Georgia
The Cultural Marxist
April 9, 2019
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