“Tree of
Smoke,” by Denis Johnson, 2007
Every
fiction book has politics embedded within it.
Especially ones about the Vietnam War.
This one foregrounds the chaotic mess that was the U.S. experience and gives you a good taste of
what being in Vietnam
was and is like. But in the background
of this miasma is a strong smell, like a distant waste-dump – that of a pro-war
attitude, full of patriotic good intentions and virulent anti-communism.
You are being smoked! |
This book
shadows “The Ugly American” and the “The Quiet American,” both earlier and
better books by Burdick/Lederer and Graham Greene. At 700
pages, it is an overly long, bloated, sometimes preciously poetic work that
centers on the fractured intellectualism of a CIA psychological operations team
in Vietnam.
In its somewhat naturalistic method, it
reads like “Matterhorn” by Karl Malantes, but without that
book’s more perceptive politics or impact.
Our diffident
hero, Skip Sanders, spends nearly 200 pages in the Philippines
‘setting the mood’ before even showing up in a villa in Cao Phuc (Cow Fuck), Vietnam. Skip keeps a .25 caliber pistol around in
case anything real happens, while working undercover as a Del Monte or Canadian Bible consultant. He wears a white T-shirt, Bermuda shorts, a mustache
and a crew cut while hoping to get his crack at the dirty Commies. His uncle Col. Francis Sanders, who is based
on a supposedly real CIA psychological-operations legend, is going to arrange
it for him.
The only
torture shown is by a crazed African-American tunnel rat, who savages a Viet Cong
suspect by digging his eyeballs out. The
only Viet Cong shown is a turncoat, Trung Than, who during Tet ‘68 sets up his
comrades to be killed in Saigon by ratting them
out to the CIA. Trung’s reason for
giving up on his 20 year struggle against colonialism and imperialism is
unclear, except he doesn’t like what Johnson calls the ‘kolkhoz’ in North Vietnam.
As I understand, the name for a
collective farm in Vietnamese is “ruộng chung” not the Russian ‘kolkhoz,’ so Johnson's use of the term is indicative.
There is a
parallel story about James, a working-class kid in the U.S. Army fighting in
Vietnam, and his broken-down family - his lumpen brothers, his sad religious
mother, all still in Phoenix. James re-ups
twice, hoping to eventually become a bloody killer in the LURP (Long Range
Recon Patrol) and extract revenge on the ‘gooks.’ Johnson's treatment of this family reflects his obsession with crime, violence and alcoholism as the essence of working class life. The CIA story and the soldiers' stories do not connect - a class barrier even within the plot. In fact, this book is basically 3
disconnected stories. The book ends with 75 pages involving 2 different codas that seem arbitrarily tacked on. Editor!!
The CIA
folks eat food and drink booze all the time, as if Vietnam was just one big buffet. They constantly indulge at various cafes, bars, hotels
and hooches, while Skip is served delicious French-inspired food at his
CIA-connected villa. While waiting for
his ‘mission,’ Skip translates Artaud and muses deep, poetic thoughts. This basically gives him intellectual cover
for making the reader think something profound is happening. Nothing profound is.
The thin plot
centers on the CIA psy-ops group turning Trung into a double-agent. Trung is to be sent back by the CIA to North Vietnam to scare “Uncle Ho” into thinking
a group of rogue U.S.
military types are going to drop a nuclear bomb on them. This psy-ops operation is ‘the tree of smoke.’
This is to create panic and perhaps an attempt at forcing Vietnam to
surrender or give up. General Curtis
LeMay was actually advocating a nuclear attack on North Vietnam … a reality not brought up here. This book treats the idea as a clever deep 'fantasy.'
Earlier in an internal CIA bulletin, Col. Francis suggests that CIA ‘intel’ is being distorted by higher ups for political reasons. This creates friction with the local CIA station, and this leads to a lethal struggle between the two CIA groups.
Earlier in an internal CIA bulletin, Col. Francis suggests that CIA ‘intel’ is being distorted by higher ups for political reasons. This creates friction with the local CIA station, and this leads to a lethal struggle between the two CIA groups.
GIs and what they think about the war ...in a nicer moment |
In this
book, no anti-war GI’s exist. No Black-power
brothers exist. No acts by GIs against
the war or the brass or the military occur.
Every reference to anti-war protest in the U.S. is from a right-wing point of
view. In the 1968 chapter on Tet, there
is no mention of the Communist capture of Hue. Instead the book treats Tet as a complete NLF
failure. There is never an idea of the
opinions of the majority of Vietnamese peasants. Until you notice every peasant ville around
the U.S. LZ base suddenly empties before Tet ‘68.
The story
centers on the CIA, yet there is only one irrelevant mention of the CIA’s infamous
Phoenix assassination program in Vietnam. There is no history here, just a leftover
Frenchman’s villa and a dog. There is no hint that the U.S. invasion of Vietnam was a war crime. Or a hint that the years-long U.S. interventions in the Philippines were similar events. Johnson’s war is mostly a bloody, fucked-up,
exotic but perhaps ‘poetic’ mess - from the American military’s point of view. In
a way, this book is a sophisticated whitewash.
I contend that real ‘war intel’ was distorted by the writer for
political reasons. That is the actual
‘tree of smoke.’
Note: The Author Denis Johnson was the son of a
State Department-CIA liaison. He also was a grad of the Iowa Writer’s Workshop,
an upper middle-class writers’ training ground. He published in the Paris Review, which 'used' to have CIA ties.
He lived in the Philippines
for awhile, which is probably why that section got stuffed into this book.
Other
reviews on Vietnam, fiction and non-fiction, below: “Matterhorn,”
“Kill Anything That Moves,” “People’s History of the Vietnam War,” “Ken Burns,”
“Soldiers in Revolt,” “In the Crossfire – Adventures of a Vietnamese
Revolutionary,” “The Sympathizer.” Type
titles using blog search box, upper left.
Other
fiction on Vietnam, not
reviewed below: Bao Ninh’s “The Sorrow of
War;” all of Tim O’Brien’s books; and others: “Dispatches,” “Dues,” “The Farther
Shore,” “In Pharaoh’s Army,” “The
Bamboo Bed,” “Fire in the Hole,” “Black
Virgin Mountain.”
And non-fiction: “Working-Class
War.”
And I got
it at the Library!
Red Frog
March 4,
2019
Your review is clearly more interesting than the book it considers.
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