"Daydream Sunset – the 60s
Counterculture in the 70s,” by Ron Jacobs, 2015
The 1960s – which ended around 1975
or later – exercises its influence to this day. Jacobs specializes
in the history of this period, as he wrote a prior book on the Weather
Underground. The book uses Jacob's own reminiscences as the basis
for this short history. He was a young kid entranced by rock music bands like the Grateful Dead and also influenced by various Maoist groups.
He traveled the country in the '70s as a post-hippie with friends, attending both
musical and political events, working temporary shit jobs to survive. Jacobs helped organize some protest activities like rents strikes and
marijuana 'smoke-outs' and seemed to be a freelance nomad. Music and
politics in this book are entwined as they were at the time. A free-wheeling counter-cultural identity was formed in the 60s and 70s similar
to the 'gig' economy of many of today's youth. The book describes a
time that may be decidedly familiar to them.
1970s Hippie Commune |
No one can encompass a decade, so
Jacobs does his bit to fill in some blanks. He covers the collision
of the counter-culture and history, paying attention to the groups
that attempted to combine them, not ignore them. Familiar cliches about Altamont are
supplemented with information on the activities of the White Panther
Party, the Diggers, the Yippies and Zippies, the Mayday Tribe, High
Times magazine, the German Autonomists and the Italian Autominia.
Jacobs highlights the more radical nature of the counter-cultural / political movements in Europe, as the proletarian-oriented groups there did not shy away from self-defense against the police. He contrasts it with the 'non-violence' of the U.S. anti-nuclear movement, which was dominated by middle-class pacifists. Jacobs illustrates the role class plays in the attraction of pacifism.
Jacobs highlights the more radical nature of the counter-cultural / political movements in Europe, as the proletarian-oriented groups there did not shy away from self-defense against the police. He contrasts it with the 'non-violence' of the U.S. anti-nuclear movement, which was dominated by middle-class pacifists. Jacobs illustrates the role class plays in the attraction of pacifism.
Jacob's first concert was a performance
by the Who that he and his young friends came upon accidentally in
New Jersey in the '70s. It was downhill from then on! Jacobs went to
a lot of concerts and festivals, including what he considers to be
the last real hippie concert in 1977, in which the Dead headlined. His love of
music leads him to note that Patti Smith, a working-class girl from
New Jersey, was a key link between the beats, the hippies and the
punks - a remarkable feat. He reminds us of the 'culture-wars' between sub-cultures that defined themselves by their choice in music - in disco, punk, rock and country. Jacobs was an enthusiastic user of
various 'hippie' drugs like LSD, psilocybin, weed and hashish and doesn't shy away from saying he inhaled. He
describes the history of the Vermont co-op movement which started around
the “Free Vermont” slogan. This ultimately moved the whole
state to the Left, including the formation of the Vermont Progressive
Party and the various candidacies of Bernie Sanders.
The extreme poles of counter-cultural politics became, according to Jacobs, either moving to Vermont and forming communes to grow food, or becoming a Weatherman and planting bombs in government buildings. These poles reflected the fault lines among hippies between the more political and the more cultural revolutionaries.
The book suffers from being breezy and
familiar (at least to me). His description of 10 years of history
sometimes just ends up being a list. His capsule of the Progressive
Labor, for instance, describes it as a 'culturally conservative'
group wearing ties, suits and crew-cuts. No one in 1970 in PL looked
like this, so I suspect some other points might be a bit thin. Yet
the book is a nice intro to this lost decade for those unfamiliar
with rebel youth culture during that period. And it also might help those
who lived through it remember that decade in all its shabby glory.
Also reviewed below: “The Way
the Wind Blew,” (Jacob's book about the Weather Underground); “Hippie Modernism,” an art
show review; commentary on the Grateful Dead, “Let us now Praise the
Dead,” and “Laurel Canyon,” about the LA rock music
scene in the 1960s-1970s.
And I bought it at Mayday Books!
Red Frog
December 17, 2016
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