"Divergent – Insurgent,” 2015, directed by somebody…
This is a dumb-ass dystopian movie with a dreadful lead
heroine who could put a zombie to sleep. It’s number two or three in a
series knock-off of “The Hunger Games,” where the female ‘action’ protagonist
Tris is no Jennifer Lawrence. It features idiotic CGI, the vague
personalities of B-movie actors and an implausible plot written by another
‘Young Adult’ novelist, Veronica Roth. Poor Kate Winslet plays the cold
aspiring dictator Jeanine. Yet there is something to behold here.
Yes there is.
Dystopian films always reflect on our own myopia, our
‘utopia’, the civilized craptopia of the present. This movie’s society is
structured by emotional ‘factions’ – Erudite (intelligence); Abnegation
(sacrifice); Amity (peace and non-violence); Dauntless (bravery); and Candor (honesty).
Tris is a member of Dauntless, but she finds out in the first film that she –
along with others – are ‘divergent’ from the factions, sharing capacities with
other groups. Divergence like this is seen as bad by this society led by
Erudite and the divergents have to hide. Being different!
Bad! Erudite ultimately is trying to control everything and kills many
members of Candor in the battle that develops against the divergents.
The film takes place in a partially-ruined city like Chicago, with some woods
and fields, all surrounded by a giant white wall. The joint factional
counsel recommends no one go beyond the wall, as it is ‘dangerous’ beyond it.
This wall is reminiscent of the “The Maze Runner.” It is either a real or
a metaphorical wall – perhaps the border of the U.S., our shoreline, perhaps the
fear of the ‘other’ or the unknown or foreigners. Perhaps it is the ‘jail’ that life can
become.
In the peni-ultimate scene, the rebel divergent Tris passes
5 gruesome tests to prove she has all the factional characteristics of
each group. This opens a ‘box’ which announces that the whole thing was
an experiment. The experiment was meant to prove that ‘divergence’ is
exactly what is to be desired – to transcend faction, to have as many
‘characteristics’ as possible. The people who constructed the test live
beyond the wall and then invite the lab rats out. Oh happy day.
Let’s look at this idea of ‘factions.’ The faction
that attempts dictatorship is Erudite – the ‘intelligent.’ Now we know
that the ruling elite in the U.S.
considers themselves smarter than everyone else – otherwise why are they in
control and have all the money? It is called Social Darwinism, the
‘meritocracy,’ the cream rising to the top – or perhaps the scum.
You might even know people who believe this. “Intelligence’ in this
scenario is supposedly reduced to a grasp of abstract ideas and
‘success.’ Yet as research by Howard Gardner has shown, there are many
kinds of intelligence – emotional, social, mechanical, physical, artistic –
that don’t fit the standard bourgeois definition. Some of these forms of intelligence cannot always be monetized. This film backs that
up. Here is Gardner’s
original chart, which I don’t think is complete or extensive enough even
now. He’s even added another category from his original 7:
Intelligence
|
Examples
|
Discussion
|
Bodily-kinesthetic
|
Dancers, athletes,
surgeons, crafts people
|
The ability to use
one's physical body well.
|
Interpersonal
|
Sales people, teachers,
clinicians, politicians, religious leaders
|
The ability to sense
other's feelings and be in tune with others.
|
Intrapersonal
|
People who have good
insight into themselves and make effective use of their other intelligences
|
Self-awareness. The
ability to know your own body and mind.
|
Linguistic
|
Poets, writers,
orators, communicators
|
The ability to
communicate well, perhaps both orally and in writing, perhaps in several
languages.
|
Logical-mathematical
|
Mathematicians,
logicians
|
The ability to learn
higher mathematics. The ability to handle complex logical arguments.
|
Musical
|
Musicians, composers
|
The ability to learn,
perform, and compose music.
|
Naturalistic
|
Biologists, naturalists
|
The ability to
understand different species, recognize patterns in nature, classify natural
objects.
|
Spatial
|
Sailors navigating
without modern navigational aids, surgeons, sculptors, painters
|
The ability to know
where you are relative to fixed locations. The ability to accomplish tasks
requiring three-dimensional visualization and placement of your hands or
other parts of your body.
|
As you can see, many so-called intelligent people in the
present definition don’t actually have the full range of possibilities.
The ‘idiot’ savant, the autistic genius, the socially awkward mathematician,
the professor who can’t use a screwdriver come to mind as extreme
examples. In a way, this movie undermines the traditional belief in a
narrow form of ‘intelligence’ as the fount of all wisdom.
In the process of the rebellion, Tris and her cohort come upon
“Factionless,” a rough and hidden group led by a woman, Evelyn, who wants to
unite with them to kill Jeanine. Factionless are the outcasts, the
homeless, the bottom line. What is interesting is that even though the divergents share
characteristics, they also are stamped by their prior factional
membership. Some even return to the fold. So they mistrust the
factionless, who have no pedigree at all. One quote in particular has a
subtext, as Tris’ partner Tobias warns Tris that Factionless wants to overthrow
Erudite, but won’t say what comes next – hinting that they want a dictatorship
too. Factionless is the most revolutionary of the groups and the most
outside the system. Yet where did they come from? This dig at them, which
will probably be continued in another film, is subtle ‘red-baiting’ and ‘poor
baiting’ to my mind.
The rebellion succeeds when Factionless works with the
divergents to flood Erudite’s headquarters with fighters. The film ends
with the leader of Factionless, Evelyn, putting a bullet through Jeanine’s head. I think we are supposed to be angered by Evelyn doing this. Yet Jeanine was not going to abide by any directions to abandon the
faction system, and Evelyn knew it. Not to mention the fact that Jeanine had just killed or tortured a bunch of people. The last scenes are of the former ‘factions’ walking to meet the people outside the wall who
stuck them in this ruined city as an 'experiment.'
These factions are pale reflections of aspects of our class
and ethnically stratified society, absent the economics, as no one works in this
world, nor is there any apparent source of food or energy. There is no proletarian faction, though Factionless comes
closest and Amity next. Amity is a group of mellow rural hippies living
around a large Geodesic dome, raising crops by hand and horse. They
actually are the only people seen working at all. Dauntless is a Spartan
military strata that does the will of Erudite. Sound familiar? Candor is the middle class
strata, led by an Asian with a judicial robe. Abgenation must be people
who work for non-profits, staff churches or do volunteer work – sensitive souls
out of their league.
The use of the word 'factions' might strike Marxists as familiar. Why that word? There are so many factions of the modern leftist movement that any message that they transcend their differences must seem really utopian. Marxists have been accused of 'utopianism' before, so they we might want to reflect on that and perhaps see that that 'transcendence' is the way out.
The use of the word 'factions' might strike Marxists as familiar. Why that word? There are so many factions of the modern leftist movement that any message that they transcend their differences must seem really utopian. Marxists have been accused of 'utopianism' before, so they we might want to reflect on that and perhaps see that that 'transcendence' is the way out.
So the message is that psychological – and by implication
social factions - can be transcended. Given this film is directed mostly at young people, is there some kind of social
message here that goes beyond high-school cliquism? Or is it just the
rank idealism that they sell young people, only to tell them later when they
get their corporate jobs that that is all bullshit. And its just time to make money.
Reviews of all 3 ‘Hunger Games’ films, below.
Also a review of “The Maze Runner,” below.
Red Frog
October 6, 2015
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